Exegetical look into Revelation 11:7-10

 

  • The beast in the Original Greek refers to a “bestial” man, one who is brutal, savage, and ferocious. In context, this in its context infers that the sea is a dwelling place for monsters, suggesting terrifying, repulsive, and evil things that seek to lead the world and the Church astray. This passage also depicts how God is still in control even over the beast, and in times of insurmountable chaos and suffering (Job 7:12; 41:1; Psalm 74:13; 89:9-10; Is. 27:1). Here, “the beast” makes his first appearance; this may not be the same person all of the time such as the antichrist, rather a metaphor or a theme of intent rather than a specific personality (The reason why we do not always take these images literally is for the reason that this is “apocalyptic literature” written in symbolism, poetry and imageries conveying ideas and representations. Whereas most of Scripture is narrative and epistles (letters) that we do take as literal). At this place, the beast it denotes someone of power and influence who is doing the persecution, and more on the beast when we get to chapter 13 (Psalm 87:4; 89:10; Is. 51:9; Dan. 7:3-8, 16-25). Some say this indicates that the antichrist will take over the Temple and John is seeking to prevent or at least slow it down; however, this is not shown in the text or context (2 Thess. 2:3-4).
  • Abyss means “very deep” (the Greek Septuagint translation of the Old Testament word for bottomless). Jewish tradition saw this as a literal, subterranean place, used for the imprisonment of evil demons and Satan, which was actually on the earth (for more detail see Rev. 9:1-11 study). John is using this image to show the beasts “demonic character” (Gen. 1:2; 7:11; Prov. 8:28; Luke 8:31; Rev. 9:1; 20:1).
  • Their bodies. The denial of burial was considered one of the most grievous insults and a great cruelty and sin in ancient cultures (Deut. 21:22-23; Isa. 5:25; Acts 14:19).
  • Great city likely refers to Jerusalem, but the context suggests it is symbolic of any city that is in rebellion and opposition to God. Thus, many commentators have suggested it refers to Rome or Babylon. It is more than a specific, worldly Jerusalem, but any city or people group that fights against God deteriorates into apostasy—such as Sodom—and thus becomes primed for judgment (Is 1:10; Gal. 4:25-26; Rev. 11:1; 16:19; 17:18; 18:10, 16, 18-19, 21).
  • Figuratively refers to the contrast between Jewish and Roman authorities, both of whom are performing evil. Revelation often gives clues to those who are not 1st century Jew’s who may not understand the metaphors of this type of literature  that is based on Old Testament imagery and 1st century life and  customs. We can understand just as well when we seek to understand the Old Testament and get a better handle on the original language and culture.
  • Sodom refers to a city that had little to no morality and/or compromised greatly, such as first century Jerusalem that betrayed its covenant with God (Is. 1:9-10, 21; Jer. 23:14).
  • Egypt represents accentuated oppression and slavery; as Egypt oppressed Israel, so Jerusalem oppresses the righteous Jews and Christians (Rev. 2:9; 3:9).
  • Where also their Lord was crucified is perhaps an Early Church metaphor to contrast pagan with righteous. It could be a metaphor for Rome that had the authority to crucify, but also had authority to stop it.

Revelation 11:7-14

Introduction 

The Third Woe Commences 

The two witnesses complete their testimony to the extreme exasperation of the beast, who declares all-out war against them. The beast rises out of his bottomless pit and kills them, and then their bodies are defiled as they lie in the streets. Everyone sees this madness, but no one is allowed to either take care of their bodies properly or celebrate their life. Then, after all seems lost, the Lord returns them to life—resurrects them—and they stand up and strike terror in their tormenters. As this is happening, they also are rising to Heaven; a terrible earthquake occurs and those remaining are either terrified and/or are giving glory to God. Then comes the warning that, although this terror is over, more is to come. 

This passage describes many themes and metaphors from the Old Testament, such as the visions of Zachariah and the “kingdoms” in Daniel. We have to realize that one of the main, interpretive aspects of Revelation is that it borrows heavily from the entire Old Testament, not just from Daniel. If you do not know the Old Testament, you will not know much about the New Testament, especially Revelation and thus read into it what we think and not gain what is actually there. This leaves the interpretation up to the reader who may not know the Bible as well as he or she might think, and thus may read into it only what he or she thinks. This would be utterly ridiculous to the original readers and Author. In conjunction, many Jewish texts (“War Scroll” from the Dead Sea Scrolls) predicted a final, climatic, all-out battle at the end of days, giving those who are faithful to God victory, but only after suffering beforehand and Johns readers knew this and this type of apocalyptic literature (2 Kings 2:1-12; Ezek. 37; Zech. 4:1-14; 14:1-3; Daniel 8; Matt. 17:3-4; Luke 10:1).

What does Revelation 8: 1-13 mean to us now?

 

These judgments seem to come against the Roman Empire, as the word meanings and Jewish metaphors suggest those found in Jesus’ “Olivet Discourse” in Matthew 24, and thus may have already occurred. However, that does not mean the final accumulation and sentence of God’s judgment has occurred; we are still waiting for that. These themes seem to repeat themselves throughout the history of the Church and society. However, a final buildup and its fruition still is to occur before Jesus comes back. 

These seven angels stand before God and His Throne. They have His approval and empowerment to carry out His plan. You are in His plan! Remember, as faithful Christians who are sealed, we have His approval. We may still face these persecutions and tribulations, but the difference is we have His love that turns a sentence of judgment and death into martyrdom for His glory. This passage attests to the fact that we must be dependant on God, and not bow to lethargy in our spiritual formation. This is the mark of a mature Christian. This is not a time to be lazy, to rationalize our situation, seek sympathy from others, or think He does not care, that we are useless. When we face darkness in our lives, it is a time to shape up and seek Christ as Lord.  We must be discerning, courageous, hopeful, and proactive in our faith. Be obedient and trusting, regardless of your situation, and remember you are His special child whom He has sealed. Keep in mind that God wants to rescue His people from those who are hostile to Him, and who want to oppress, control, or persecute us. 

Questions to Ponder: 

  1. When these events come to pass (if they have not already), what do you think they will look like? How will these events send shock and awe to the average person?
  1. Why does it seem that a characteristic of God’s judgment is He does not do it all at once, rather He is slow and uses order? Do you think that He is slow to give time for His grace to work and people to seek forgiveness, even when they do not seek Him?
  1. God is patient, but He is ready at any time to unleash these sentences. How do you feel about this? Are you ready?
  1. Do you think this passage is literal? If so how will this be played out? If you think this is symbolic, how do you think it will play out? How do people’s idolatrous motivations and misguided followings influence His judgment?
  1. What do you need to do to take seriously that God is in control? Because of His grace, He only allows a fraction of His judgments. How can you have more confidence in Christ to deliver you out of your tough situations?

© 2006 R. J. Krejcir Ph.D. Into Thy Word Ministries www.intothyword.org

The Four Main Views of Revelation 8: 1-13

 

The Preterist view: They see this passage as the result of and further explanation from the first four seals being opened. The setting, as they see it, is that of the Jewish wars with Rome and the destruction of Israel as a nation in 66-70 A.D. and the resulting disasters, as these are the “Last Days” of the commonwealth of Judaism that has come to be a “Babylon” of evil (Deut. 29:18; Jer. 9:15). The trees and grass represent the remnant of Jews who are left after 70AD. These plagues do not come against the Church, as we are saved from God’s wrath (Rom. 2:7-9; 1 Thess. 5:9). The mountains are symbolic of the government of Israel as God’s mountain falling (Ex. 15:17; Matt. 21:21). The “sea” represents the Gentiles and the “land” represents Israel. The Romans slaughtered the Galileans and tossed their bodies into the Sea of Tiberius. Wormwood refers to the decaying bodies left by the Romans and how they tainted the waters. The sun, moon, and stars refer to the fall of a series of Roman Emperors in the first century; others say it is the fall of the Herod dynasty and the Jewish Priests who had the power. The “woes” refer to the warnings of more Roman devastation, which the early church saw, and left Jerusalem, saving themselves before its destruction, where perhaps a million people were killed. 

The Futurist view: They see this passage as literal. This camp is greatly divided over the meaning of this passage, seeking newspaper interpretation rather than word meanings or looking to the Old Testament. Some of the more “credible” theories are that the trumpets are the final, drastic judgments of God. The trees and grass represent the fall of the western nations and God’s divine wrath upon us by His attacks on water and aquaculture. Some see this as nuclear war and the resulting ”fallout.” Some see the mountains falling into the sea as literal, much like an asteroid. Others see it as symbolic for everything that is popular falling. Some see it is the Gentile nations at war led by the antichrist, or God destroying the false church led by false teachers. Others see this as the destruction of the Catholic Church. Wormwood is seen as the Pope or Antichrist. The “great star” is seen as the political leaders who are apostate, or a comet from space hitting the earth. In the eighties, this group saw the Soviet Union as Wormwood; others said it was Reagan because each of his names had six letters. The sun, moon, and stars refer to the diminishing of spirituality during the tribulation (2 Thess. 2:11-12). Others see this as literal such as eclipses and astronomical phenomena. Some say it is the result of nuclear fallout. They associate all kinds of ideas to the eagle, and see the “woes” as inferring that they are warnings and not necessarily judgments, which is a contradiction to their other theories. Or they could be demonic woes to their coming judgment, or a warning of the coming three judgments (which makes more sense.) Their view would be better off if they weaned themselves from their misguided conjectures, and concentrated on reading their Bible more! 

The Idealist view: They see this passage as series of happenings and calamites that will occur again and again throughout Church history. Most in this camp do not see it as pertaining to a specific period. The trumpets are synchronous with the “seals” of the previous passages. They see these plagues as attacking the foundations of life support, water, and crops as natural calamities so we do not take things for granted. Some in this camp see these as attacks against the Church; others see them as God’s wrath against the wickedness of the world as reminiscent of the Egyptian plagues. Some see these as literal; others as symbolic. The mountains are images from Babylon’s fall and the punishment of wickedness (Jer. 51:25-42). Others see it as a volcano and the eruption of Vesuvius in 79AD. Wormwood is seen as the effects of natural disasters or God’s judgment. The “great star” is seen as punishment from God and its severity; others see this as idol worship that pollutes the mind and faith (Jer. 2:13-23). The sun, moon, and stars refer to the fall of Rome. Others see those as the doom of the ungodly who look to astrology and idols as their guide and or God’s control over the universe (Isa. 13:10; Luke 21:28). Others see “one-third” as a warning and not a final, determined judgment. The “woes” refer that the worst is still to come. 

The Historicist view: They see this passage as four great blows to the Western Roman Empire, first in 408-410, and then in 476 A D. Hail and fire are symbols of God’s judgment reminiscent of the Egyptian plagues. The trees and grass represent the results of war and bloodshed and the consequential calamites to His Church. The fraction of one-third represents Rome that occupied one—third of the known earth then. The “mountains” are a symbol of strength or seats of power. Many see this as the fall of Rome by the Goths and primarily the Vandals in 428-468 AD who destroyed their ships and commerce. The “great star” is seen as the invasion of the Huns in 440 AD against Rome where thy killed over 300,000. Others see this as evil politicians and heretics such as Pelagius, who corrupted the Church. Wormwood is seen as false teachings affecting the Church. The sun, moon, and stars refer to the Roman political firmament in 476-479 A.D. during the last of the Roman Emperors. Others see this as events that affect the Church. The “woes” suggest that a turning point is about to happen, from the Roman Empire to the Dark Ages or Gothic period, in three waves, a Turkish invasion, the Saracens conquest, and then the French Revolution.

Exegetical look into Revelation 8: 1-13

 

  • Seven trumpets indicates the pronouncement of God’s voice by the angels, who present His judgment, monitored by His grace. These are not to be feared by Christians. They are the answers to the prayers of the saints. His decisive judgment is answering them by His complete victory; His final victory is at hand (see previous study; Rev. chaps. 7-8).
  • Sound them. This “sounds off” the warnings that proclaim that a sequence of devastating plagues from the will of God is about to take place.
  • Hail and fire mixed with blood. This shows that God’s judgments are slowly and powerfully unveiled just as they were in Egypt (Ex. 7:14-24; 9:13-25; Job 38:22-23; Psalm 18:13; 78:48; 105:32; Ezek. 38:22).
  • A third of the earth indicates that God is in control and allows only a fraction by His grace. This also sets God up in a position that suggests He may not have completed His final punishment yet. 
  • Huge mountain, all ablaze… great star, blazing. “Mountains,” in Scripture, mean kingdoms (Isa. 2:2; Zech. 4”7; Psalm 46:2; Jer. 51:25). This wording is typical of apocalyptic literature such as “Sibylline Oracles” (a collections of 4,000 verses, supposed prophecies by Hellenistic Jews in Alexandria in the second century B.C.). These are hyperbole metaphors, meaning they are plagues from God and not man, and that will affect our daily life such as our water supply; people will die from dehydration (Jer. 51:25-42).
  • Sea turned into blood. This term is indicative to the first plague in Egypt (Ex. 7:20-21). It means the ultimate destiny of mankind as being judged and the preparation for the Second Coming and or the Last Judgment. This is called “eschatological;” it is from God and His judgment, not the pollution from man’s industrial machine. Volcanic upheavals can also produce this effect from God’s direction, see Revelation chap 6 notes (Isa. 15:9; 2 Pet. 3:10-12; Rev. 6:13; 9:1).
  • Wormwood. This refers to an herb (Artemisia absinthium, of the family Asteraceae) that is not poisonous but has a harsh, sour taste, and was used as an insect repellent. This was a metaphor for suffering, disaster, mourning, and idolatry. This may mean plagues will strike the earth’s drinking water supplies (Deut. 29:18; Ex. 15:25; Prov. 5:3-4; Jer. 8:14; 9:15; 23:15; Lam. 3:19; Rev. 3:15-16).
  • Turned dark. Like the other plagues, this one parallels the ninth one of Egypt (Ex. 10:22-23). “Darkness” means foreboding judgment that first invokes fear, and then a response for repentance. It is associated with “End Times” by other apocalyptic literature (Rev. 6:12-13).
  • Woe/terror is reminiscent of an O.T. prophetic oracle, such those of Jeremiah and Amos, giving further warning as more is to come. In fact, there are three more  “trumpet plagues,” each one a “woe” or a stern warning (Amos. 5:18-6:1; Rev. 6:10; 9:12; 10:1-11:14).
  • Inhabitants of the earth refers to wicked people who refuse to repent or acknowledge God as Lord. This is not referring to those who are righteous and “sealed” (Rev. 9:4).

Revelation 8:1-13

Introduction 

The First Four Trumpets  

Now they are ready; the seven angels stand at the cusp of unleashing God’s sentence, His decree of judgment by pestilence and other nasty endeavors. They are given to a world that refuses to see Him as Lord and refuses to seek forgiveness for their doings. God has no choice other than to protect His faithful, and do as He must. Thus it begins, as the first angel blows his trumpet, a mighty blast that will send shock and awe to the entity of creation on earth as hail, fire, and blood are sent as weapons against man’s environment. The second angel blows his trumpet, striking with great burnings as mountains are cast into a sea that has turned to blood. The third angel blows his trumpet, and more great burnings accrue as stars fall into the rivers of earth. The fourth angel blows his trumpet and the sun, moon, and stars become dark and eerie. Then, one—third of earth’s land, sea, and water is sentenced and perhaps reduced to ashes; people die in these devastations. However, as each of these judgments escalates and the resulting intensity grows, God’s grace remains the main, strong core as He spares over two-thirds. Then an eagle cries out saying, “terror and woe to all who endure such calamities,” as the fifth angel gets ready to blow his trumpet against man’s achievements. 

It is interesting to note that this passage parallels the ten plagues in Exodus, adjusted to seven trumpets or waves. God is attacking idolatrous motivations and followings with natural calamities, just as He did with Egypt. It seems a characteristic of God’s judgment not to do it all at once; rather He uses an order that is slow, giving time for His grace to work and people to see His forgiveness, even when they do not seek Him (Ex. John 2:11). The succession, systematic order, and number of these plagues are not an issue or even important; rather, its purpose is to show God’s patience, even though He is ready at any time to unleash the plagues. The plagues also seek to distinguish between those who are deserving and wicked and those who are spared and are righteous in His sight, just as He did in Egypt (Ex. 9:4-6; 10:22-23; 11:1-14; Rom. 8:18-25). 

Why does the world refuse to see Christ as Lord and why do so many people refuse to seek forgiveness for their doings, even Christians? Do you believe that God has no choice other than to protect His faithful and do as He must to pass judgment?

Interpreting Apocalyptic Literature

We have to be careful how we interpret the Bible. Most of the time, we are to take His Word literally; it means what it means and says what it says. However, in “apocalyptic” literature or genre, the language is clear, such as the word, “lamb,” which is used often. We know what a lamb is and we may know that Christ is described as a lamb, but do we also know that Jesus is the Lamb… been slain which means that Christ is the sacrifice? A lamb is the common animal that was “slain” and sacrificed for the atonement of sin and used for commerce. Jesus replaces this lamb as the ultimate sacrifice—the sacrifice for our redemption. When you see the word, Lamb, it is most likely referring to sacrifice and our Lord who offers us salvation (John 1:29; 1 Pet. 1:18-20). In contrast to the image of a lion which means Sovereign and Judge, the lamb was considered the weakest of all animals, needing constant attention and care just to survive. A lamb would die in the wild, whereas the lion would thrive. The image of the lamb was common in apocalyptic literature, also meaning victory and power through, and sometimes over death (Ex. 12:12-13; Isaiah 53:7; John 1:29; 21:15; Rev. 17:14). You can see that these images and themes have or will have history and significance.

When we come to words that seem peculiar to our modern minds, such as “stars,” the first-century Jews would know that it meant “angels.” Lampstands meant “churches;” the phrase, “wife of the Lamb” meant “Jerusalem,” and the great prostitute was a covert slogan to refer to “Nero” or any corrupt leader in power. Babylon usually referred to Rome (Rev. 1:20; 17:1-5, 18; 21:9-10). Babylon the Great mainly referred to Isaiah’s mockery of sin and those who follow it as a “harlot” does. It is a contrast of evil governments in antagonism to God and God’s Kingdom, the captivity of the Jews under Babylon and its moral decadence, and the early Christians under Rome, which was also steeped in immorality. This is also a reference to how people are led captive into sin. It was a metaphor that meant to sin and fall into seduction, meaning what lures us away from faith and what replaces faith. The application of this word/term is that seduction becomes corruption; this can range from pagan worship and atheism to following what is fruitless and meaningless while ignoring our Lord. This is not necessarily referring to one specific ominous person or entity or political system, but pointing the faithful to what is evil in general. Nor, does this mean that Babylon will be rebuilt or restored in some way. This theme is about enmity to God and people’s participation in it which is in direct contrast to what Christ offers and is—Pure and Holy (Is. 21:9; Jer. 51:7-8; Dan. 2:35, 4:30; 44; Rev. 13:1-18; 16:19; 17:1-5; 18:3; 18:2, 10, 21, also 4 Ezra).

Another apocalyptic word is star. A star in ancient cultures was a colloquialism for divinities or angels; context is the key. Is it talking about messengers, things to come, or stellar events such as astrology? If it is a message being delivered, it could refer to a mighty angel, or refer to a cosmic disturbance, an Angel or servant, or an instrument of God (Rev. 8:10; 9:1-11; 20:1). Context and commonsense are the keys. These images are “metaphoric,” or symbols of specific themes in judgment. The obvious is that the actuality of this passage is pointing to God’s power, but these events are not necessarily verbatim, as it would be seemingly impossible. How could one star, much less billions upon billions land on this plant that is a billion times a billion smaller? The answer is, it is figurative, and it is a mystery how this will be eventually played out and what we will see. This is a depiction, just as a first century Jew would read and write. What we do know is that it will not be the same! The point of this metaphor is that no one is immune from experiencing God’s judgment. The entirety of the universe will bear witness to God’s will as an incredible phenomenon, displayed in the cosmos, that will herald Christ’s Second Coming (Mark 13:24-26; Luke 2:25-27).